We all know the dutch fiddler and his orchestra dressed à la mode of XVIII^th century, but would his name be associated to a psychiatric disorder? Not yet officially, but it won’t be long coming. I noticed that many musicians and artistic directors were subject to the same symptoms that I have been regrouping under the “Andre Rieux syndrome”.

But what is it? To understand, we must first review Rieux’ recipe :

Last week I wrote here about going on stage and I evoked the “lucky charm”. Today I will focus on pre-concert rituals as well as these charms. Some do not have rituals or lucky charms, and others elaborate complex rituals which become totally obsessive. Star’s whim or real necessity?

Concert evening, in the dressing-room. Tonight, I’ll be playing a recital methodically prepared during the last weeks. Final moments before appearing on stage. Someone is knocking at the door. A glance in the mirror,last check for the presence of our good-luck stuffs and other necessities. It’s time to go. A few more moments to wait backstage, and suddenly the stage manager asks if I’m ready, opens the door, and motions to me to go on stage.

The municipality of Trois-Rivières in Québec has found a strange way to secure the local underground parking. The authorities have indeed installed headspeakers, playing around the clock classical music in the stairwells of this big parking lot.