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	<title>Pierre-Arnaud Dablemont, pianist &#187; conservatory</title>
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	<description>Official website of pianist Pierre-Arnaud Dablemont</description>
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		<title>Music Management in Conservatories?</title>
		<link>http://www.pierre-arnaud-dablemont.com/blog/music-management-conservatories-196</link>
		<comments>http://www.pierre-arnaud-dablemont.com/blog/music-management-conservatories-196#comments</comments>
		<pubDate>Fri, 10 Oct 2008 07:00:32 +0000</pubDate>
		<dc:creator>Pierre-Arnaud</dc:creator>
				<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[conservatory]]></category>
		<category><![CDATA[music management]]></category>
		<category><![CDATA[teaching]]></category>

		<guid isPermaLink="false">http://Noonecandenyit,today,apianist&#039;scareerrequiresothercapacitiesthantheobviousonetoplaythepiano.Afterourstudies,weoftenrealizethatwehaven&#039;tbeenawakenedtotherealityofourprofession.Indeed,oncetheconservatoryisover,we</guid>
		<description><![CDATA[<img src="http://www.pierre-arnaud-dablemont.com/wp-content/uploads/2008/10/time-management1.jpg" alt="" title="Piano career management" width="161" height="150" class="vignette" style="float:left;margin:0 5px 5px 0" />No one can deny it, today, a pianist's career requires other skills than just playing the piano. After our studies, we often realize that we haven't been awakened to the reality of our profession. Indeed, once the conservatory is over, we are confronted to stewardship problems. Most of the time, not enough supported, we must manage everything by ourselves: solicit concerts organizers, manage press relations, deal contracts...
Related posts:<ol>
<li><a href='http://www.pierre-arnaud-dablemont.com/blog/record-labels-artistic-agent-deals-1369' rel='bookmark' title='Record labels &amp; artistic agent deals'>Record labels &#038; artistic agent deals</a></li>
<li><a href='http://www.pierre-arnaud-dablemont.com/blog/looking-for-a-new-way-to-teach-music-1301' rel='bookmark' title='Looking for a new way to teach music?'>Looking for a new way to teach music?</a></li>
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</ol>]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.pierre-arnaud-dablemont.com/wp-content/uploads/2008/10/time-management1.jpg" alt="" title="Piano career management" width="161" height="150" class="vignette" style="float:left;margin:0 5px 5px 0" />No one can deny it, today, a pianist&#8217;s career requires other <a href="http://www.pierre-arnaud-dablemont.com/blog/on-selling-concerts-268" title="On selling concerts">skills</a> than just playing the piano. After our studies, we often realize that we haven&#8217;t been awakened to the reality of our profession.</p>
<p>Indeed, once the conservatory is over, we are confronted to stewardship problems. Most of the time, not enough supported, we must manage everything by ourselves: solicit <a href="http://www.pierre-arnaud-dablemont.com/blog/5-tips-for-contacting-presenters-1225" title="5 tips for contacting presenters">concerts organizers</a>, manage press relations, <a href="http://www.pierre-arnaud-dablemont.com/blog/record-labels-artistic-agent-deals-1369" title="Record labels &#038; artistic agent deals">deal contracts</a>&#8230;<span id="more-196"></span></p>
<p>However, at school, we never heard about this at all. I know our studies are already very heavy but a little training to music management wouldn&#8217;t have been too much and would have enabled many of us to save some precious time.</p>
<p>I&#8217;m thus asking the question: Why did no one have the brilliant idea to integrate management modules or an overview of the different jobs we&#8217;ll deal with through our career and which will help us in our course. I think it has become essential in our education.</p>
<p>When will there be extra courses in conservatories?</p>
<a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0;margin-bottom:-3px" src="http://i.creativecommons.org/l/by-nc-nd/3.0/80x15.png" /></a>&nbsp;&nbsp;<span xmlns:dct="http://purl.org/dc/terms/" href="http://purl.org/dc/dcmitype/Text" property="dct:title" rel="dct:type">Pierre-Arnaud Dablemont's journal</span> by <a xmlns:cc="http://creativecommons.org/ns#" href="http://www.pierre-arnaud-dablemont.com" property="cc:attributionName" rel="cc:attributionURL">Pierre-Arnaud Dablemont</a> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License</a>. (Digital Fingerprint: a70067525beacc5338811fe7386fcb13)</small><br><p>Related posts:<ol>
<li><a href='http://www.pierre-arnaud-dablemont.com/blog/record-labels-artistic-agent-deals-1369' rel='bookmark' title='Record labels &amp; artistic agent deals'>Record labels &#038; artistic agent deals</a></li>
<li><a href='http://www.pierre-arnaud-dablemont.com/blog/looking-for-a-new-way-to-teach-music-1301' rel='bookmark' title='Looking for a new way to teach music?'>Looking for a new way to teach music?</a></li>
<li><a href='http://www.pierre-arnaud-dablemont.com/blog/do-you-know-contemporary-music-12' rel='bookmark' title='Do you know contemporary music?'>Do you know contemporary music?</a></li>
</ol></p>]]></content:encoded>
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